Sunday, June 27, 2010

Art in Alexandria

Today I decided to become familiar with the free things to do on an average weekend day in Alexandria.  The first thing was to find free parking.  I know that there are paid garages, but I'm from NYC --so I still prefer to find unpaid street parking!  So I drove up Union Street and found a free spot up the street. 

After that, I walked through the park, along the water, and into the Torpedo Factory.  First of all, the Torpedo Factory is a piece of art itself.  In the underside of the spiral staircase, I found figurines.  On a platform circulating around the second level, I saw little zoo animals.  And then I found some of my favorite studios there.  In Studio 13, I found kimono prints which were very intriguing.  The artist was not there, but her card was.  If you'd like to see a website of her work, and a photo which I couldn't fairly take, you can go to: http://www.marciajestaedt.com/.  I also found beautiful paintings of local beaches by Marian Van Landingham.

Principle Gallery
Next I walked up King Street to the Principle Gallery, where I found two artists that really resonated with me: GC Myers, whose signature is a red tree with Japanese wood block influence.  Myers lives in upstate New York and is a self-taught painter who began the art after an accident left him debilitated.  He has a great blog named after his tree called the Redtree Times (http://redtreetimes.wordpress.com/).  Myers uses beautiful colors in all his artwork.  I also saw artwork of Lynn Boggers whose subject was not just natural in subject, but also painted outdoors!  Mr. Boggers lives in West Virginia, uses a palette knife and cement trowel, and provides instruction on his methodology.  He will be giving a demonstration on the afternoon of August 14th. 

P&C Art
My next stop was up the street at P&C Art, a completely different gallery than the last.  This gallery is the largest in the area for contemporary international art.  From artists around the world you can buy art of people, famous places such as Paris, familiar Alexandria and Georgetown sites, and Dr. Seuss artwork.  

There is great, enjoyable art and creativity in Alexandria.  I strongly recommend to anyone with empty wall space a trip to Alexandria.  There is great, beautiful, and varied art there.  Enjoy!

Sunday, June 20, 2010

Carlyle House - Two Thumbs Up!

Here, at last, is something in Alexandria to see where you learn a lot about who lived there, what he did, his role in history, and why the house was preserved.  For $5 and an hour of your time, you get a real sense not only of the resident of Carlyle House, but also of every other "Englishman" who lived in the Alexandria area at the time.

As the docent tells you when you take a tour, and the video at the beginning also explains, there are features of this house that are immediately different from other houses at the time.  First, it is not build on the edge of the property against the sidewalk.  Instead, the owner, John Carlyle, built the house against the border of the swamp that used to be there, alongside the river, back in the 1700s.  This meant that people approaching his house would notice a nice big front yard upon approaching.  Second, unlike most homeowners at the time, John Carlyle build the house of out stone, not wood.  Lastly, the least obvious difference is that this house was build right on the market and the cross-sections of what was then the main streets.  Some people don't like that now, but back then it was fashionable to do, if you could. 

These facts raise the salient question: just who was this John Carlyle?  He was at least different from other Alexandria residents at the time.  John Carlyle was a very successful merchant from a part of England that bordered Scotland.  He came to "the colonies" to make some money, and fully intended to return to England for retirement.  He was friends with George Washington, and hosted English General Braddock in his home when America was still a colony.

So, the reason his house was made of stone is because that's what he was accustomed to from his part of England, and the reason his house was build against the back property line (and not the sidewalk) was so that his office could look right out the window at the ships approaching Alexandria with his merchandise.  There were few other men at the time who had such a large, different, and imposing house back then.  But, he resembled most of them because they all thought of themselves as Englishmen, although that was about to change.

What is great about this house and what you learn inside is that it is really steeped in history.  In his dining room, John Carlyle hosted English soldiers who were there, at the time, to discuss the French and Native Americans, and the problems they were causing colonials.  Unfortunately for the colonials, they learned through the callous behavior of the soldiers that they were different, and that their problems were not British problems, only colonial problems.  When the British learned that "the colonials" could not afford to pay for managing their problems with "the natives" and the French, things like the Stamp Act went into effect.  And ... the gentlemen of Alexandria such as John Carlyle, and their neighbors down the river such as George Washington (in Mount Vernon) developed a slow sense of being an American.  At the time, it was a sentiment of knowing that you're worth more than how the government is treating you.

Inside the house, you also see where the ladies did their sewing and music, original furniture in the master bedroom that John Carlyle bought from his father-in-law who returned to England, which the house still has today.  The color of the walls and wallpaper are reproductions to match what the house originally contained, which preservationists discovered through reading letters that John Carlyle wrote to his brother in law and others.

The only information that is lacking is about the garden.  From signs on the garden property, this information was difficult to find.  Part of the problem is that after John Carlye's family lost possession of the house, someone bought it and actually build a hotel that wrapped all the way around the house, on the grounds of the plot that originally had yard and gardens.  The Carlyle house was not actually restored until 1975, and because it was made of stone, it survived the centuries.  Although famous soldiers and politicians stayed in the hotel that surrounded the house, the house was the favored subject for restoration.
Out of all the Alexandria history tours that I have taken thus far, this is my favorite.  What puzzles me is how little the city, so proud of its history, publicizes the house.  I found out about the house by conducting a web search of sights in Alexandria and found it on a parks & recreation site.  I didn't know much about this house, even though years ago, some social event had taken place on its patio (a modern addition, not an original part of the house.)

Tourists come to Alexandria for the Torpedo factory, the king street shops, and the waterfront.  They might get a taste of history if they try.  To me, the Carlyle house is really for the resident.  Only people who have lived here long enough to hear and read about the area's history really understand how much occurred in Alexandria.  After all, tourists think that Washington DC is the big attraction -- many don't think of Alexandria at all.  For these reasons, I recommend the Carlye house to the visiting historian or the local.  It's a great taste of your hometown area!

Sunday, June 6, 2010

Sant Ocean Hall

There are a few reasons why I ventured to the Smithsonian Natural History Museum's Sant Ocean Hall this week.  The first reason is perhaps the most obvious -- the BP oil spill in the Gulf of Mexico is on everyone's mind and in the news.  I love the ocean, even if its a Gulf I've never been to, and the Gulf of Mexico has always experienced various environmental problems.  The most common has been a fish kill.  Another reason I went to Sant Ocean Hall was because Ocean Day is Monday June 7th, and I was due for a nod to the ocean, even if not to a real ocean.  I also thought it was time to cross the Potomac for anothter blog article, Washington DC has plenty to offer!
So, this week's blog is about the Sant Ocean Hall at the Smithsonian.  Even though it was a Sunday mid-day when I went, parking on the street was a cinch.  I walked half way down the green between the parallel sets of museums to enter the Natural History Museum, and went straight back to the Sant Ocean Hall.  My first observation was the large number of children in the Ocean Hall -- there was no actual sand to play with, but curiosity for the ocean thrived.  The next thing I noticed was the huge whale hanging from the ceiling!  I decided to walk around the room to see what the museum had to offer.
The Ocean Hall seemed to provide the same kind of information as a website for children, providing information such as: what lives under the beach towel, is the ocean floor flat, and does ocean water ever stop moving.  One important display was: does the ocean health affect me.  This is one question and answer that many people probably haven't asked, but perhaps should.  The display indicates that half of the oxygen we breath is produced by the oceans.  We also all came out of the ocean!
I was hoping that there would be information on the Gulf of Mexico or oil spills, but neither was there.  The problem that the Smithsonian faces is that the Ocean Hall is so small, and the ocean, and information about it, is so large.  The information that it provides probably suits children quite well, and as for adults like me -- well, we'll have to search the internet for the information we want!
So, any resident or visiting adults that have children on hand who are curious about the ocean, this is the place for you.  The remaining adults can simply search the Web -- or visit one of the greater aquariums.  (I've seen the one in Washington DC, it's not worth the visit.  I can blog it if you want.)